PDF Download , by Bryan Peterson
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, by Bryan Peterson
PDF Download , by Bryan Peterson
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Product details
File Size: 64233 KB
Print Length: 288 pages
Publisher: Amphoto Books (November 6, 2012)
Publication Date: November 6, 2012
Sold by: Random House LLC
Language: English
ASIN: B009JU6T7U
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#397,374 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
I liked this book. I like Bryan's writing style, although I do think in this book it has a bit more of an "edge" than in some of his previous books. However, he always writes in a style that is easy to remember. I found "two steps closer" a refreshing way to remember to fill the frame, for instance, and who would have thought of "crying babies" for background distractions?I have always thought of myself as a "fill the frame" photographer - sometimes too much filling the frame to the detriment of showing the environment. However reading this book that I had gotten lazy and was NOT filling the frame so much anymore - a good mental kick in the butt. I had my wife look at some of my pictures - old and new - and she really gravitated to the ones that "filled the frame." I shall also watch out for "crying babies" in the backgroun when setting up a shot.The last thing I immediately recognized was that I had gotten away from what i used to call "zone focusing." I used to use it all the time to set an area of acceptable focus. I have gotten away from that with newer lenses that only have a distance scale and not a DOF scale as the old manual ones had. However, Bryan reminds that using the distance scale and a few easy to remember distances you can basically set up your lens so you don't have to focus - and thereby work much faster.There is much more of value in this book, and it is a pleasure to read. If you are new to photography, there is a wealth of information. If you've been around the block a few times, there are good reminders. I've been at it since 1959 and, while I' now only shoot for pleasure, I still found some excellent reminders, ideas, and energy in this book. It is highly recommended.
Many years ago Kodak published a book "How to make good pictures" which implied that enjoyable photos just don't happen, they are created. In this small book Bryan Peterson will show you how he does it, with some tricks of the trade. (If you want even more tricks read Scott Kelby's "The Digital Photography Book series) Peterson goes through the usual suspects; frame your subjects, rule of thirds, backgrounds, focus (depth of field), arranging items within the picture and many others. Because the publisher printed the example photos on excellent paper, you can really see what Peterson is talking about and the sometimes subtle differences between pictures. Even though this book can be read by itself, I think the reader would get even more out of it by first reading the author's classic book "Understanding Exposure" which everyone seems to quote. In Understanding Exposure" he describes better how f stops effect depth of field and emphasis and the differences betweeen Depth of Field in DSLRs and compact cameras. In this book he does list the camera, lens and f stop used for each photo but, to the best of my knowledge he never really explains how to get the same effect with the better compact cameras. "Understanding Exposure" will explain this, especially the 3rd edition.I think that Peterson lifted some of the photos from his other books and on page 251 he points out that our cameras now have the advantage of automatic winders! Really. Peterson's photo examples are usually taken with a full frame DSLR Nikon camera or a professional DSLR camera with a crop factor of 1.5. Even his limited use of the Leica D-Lux (rebadged Panasonic LX-3/5) can do much better that the film rewinders. I'm sure this just slipped by.By reading this book, you can at least get some small idea of the thoughts and creativity of a really great photographer who also enjoys teaching.
I've gotten more out of Bryan's books than any other source and here he has another great one. While it may seem this is a repeat of his Bryan Peterson's Understanding Photography Field Guide: How to Shoot Great Photographs with Any Camera this book takes those ideas a step further into composition. Not only is this book full of Bryan's great colorful photos the layout is well designed, colorful, easy to follow and understand. And that's the Kindle version! If you are like me, constantly learning, this is another great one to step up your photography!
Composition is one of those fuzzy sciences; one usually might have an intuitive sense of what makes a good composition, but there's no hard, fast science to it (notwithstanding the golden rule). Peterson, however, equips the reader with a good sense of what visual tools and techniques are available for a photographer (or artist of any kind, really) to create effective compositions. He explains things so clearly and simply, and uses a variety of different examples, so anyone can walk away feeling better equipped to make photographs or art of any kind. This is a really good follow-up to his "Understanding Exposure," which I reread frequently and expect to do the same with this book. (Shooting with a Canon EOS Rebel T3, with kit lens and 55-250mm telephoto zoom, and have already applied a ton of what I've learned in both Peterson's books so far.)
Excellent ideas about how to approach photography with a "view in mind", as it were, before even setting up the camera. Bryan takes a painterly approach which is excellent because composition (structure of the content) trumps everything else in creating photos with great impact. If you feel you're creatively stymied when approaching a picture-taking opportunity or that your photos don't have the emotional power you're looking for, Peterson has some great thoughts here that will probably help greatly if conscientiously and carefully applied. I love Peterson's bold, arresting style and, while some may nitpick that it sometimes ventures too close to commercialism, I think his insights parallel those of Freeman Paterson, hardly commercial in his approach. Great read that makes you want to pick up a camera possibly set aside in frustration and have a whack at creating great pictures – again!
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