Ebook Free The Elements of Playwriting
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The Elements of Playwriting
Ebook Free The Elements of Playwriting
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From the Publisher
Also by Louis Catron and available from Waveland Press: The Director's Vision: Play Direction from Analysis to Production (ISBN 9781577666769); Playwriting: Writing, Producing, and Selling Your Play (ISBN 9780881335644); and The Power of One: The Solo Play for Playwrights, Actors, and Directors (ISBN 9781577666202). Title of related interest also available from Waveland Press: McCloskey, Economical Writing, Second Edition (ISBN 9781577660637).
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About the Author
One of America's leading authors of books and articles for playwrights, Professor Catron's writing reflects his years of teaching playwriting as well as his extensive experience directing modern and classical plays and musicals. He shares this accumulated practical knowledge with his readers as he guides them in a friendly, personal way through the process of creating stageworthy scripts.
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Product details
Paperback: 240 pages
Publisher: Waveland Pr Inc (December 6, 2001)
Language: English
ISBN-10: 157766227X
ISBN-13: 978-1577662273
Product Dimensions:
5.8 x 0.5 x 8.8 inches
Shipping Weight: 9.9 ounces
Average Customer Review:
4.1 out of 5 stars
12 customer reviews
Amazon Best Sellers Rank:
#1,133,287 in Books (See Top 100 in Books)
We've studied many "how to books" and curiously the two we found best are both by this same author --- this "Elements of Playwriting" plus his other "Playwriting." From his guides we've written both stage works and screenplays. Distinctly valuable! "Playwright's Resources" alone worth the entire book. "How to Revise" is the only such chapter in any such book.
Catron's latest shares excellent information concerning the basics of playwriting. The finest well-known playwriting instructor of our time, this book is second only to Catron's first (also available here), and one that can only be gotten via private distribution. Uh oh. I just realized I wrote a review for this a year ago.
Really insightful and helpful. Doesn't lace the books with examples of plays you've never seen, but rather gives broader strokes ideas on how to get started, how to structure, etc. The writing is lovely.
have only gotten thru the first chapter, and am discouraged already. The author is telling me I must work hard, study hard, spend many years learn the art of writing plays, read lots of plays and attend at least one performance of everything written for the stage. Only then do I have a chance - a slim chance - of being a semi-good playwright (playwrite). I've been at it for 3 years now and have yet to have one of my scripts accepted for production. Of course none of the insiders in the industry will tell me what I'm doing wrong. Frankly I was hoping for something more encouraging. I am 60 yrs old and IF I live as long as my father, I have only 8 more years - not enuff time to go back to college, (if one will accept me) and get a masters in theatre and acting, and then write something that will out live me. I am greatly disappointed and think my time is better spent watching the cars drive by on the freeway.
IMHO, the very best playwriting guide now in print. No need for modesty, Prof. Catron--the book IS priced far below its value. Thank you for giving us a superb guide
Complete treatment and helpful. Easy to read and well organized. Good exercises.
I only have one negative thing to say about Louis E. Catron's "The Elements of Playwriting," so I'll get it out of the way right off.In various spots in the book, he makes critical remarks about both soap operas and the "Perry Mason" TV series that make me wonder if he's ever actually watched them. The writing cautions he connects with the remarks (respectively, always make sure your characters' emotions are motivated, and avoid a "deux ex machina" ending) are absolutely legitimate, but using these as illustrations are simply untrue.In most other books such false reporting would seriously damage the writer's credibility in my view, and indeed it's the one thing that keeps me from awarding a full 5 stars. The one saving grace in Catron's case is that every other piece of advice is illustrated accurately, if not explicitly in the text. He shows quite well how to make your story appeal to directors, actors, and audiences, not only explaining what they look for but illustrating how to achieve it.As with any book on writing, this is meant to be a book of ideas, suggestions, and recommendations to empower us as writers rather than restrain us. Where an accepted "rule" goes against the story we want to tell, we're expected to be true to the story rather than the rule. Every other book on this topic has taken this attitude, but Catron consistently takes the next step and cites plays that illustrate how nearly every rule has been broken by a successful play, and why that play succeeded in spite of breaking that rule.Catron is a completist in other ways as well, taking the reader from the conception of a story all the way to a list of playwright's resources (such as directories of literary agents).Whether your playwriting is a hobby, a sideline, or a prospective career - or even an established one - I highly recommend this book.
As a songwriter and composer, I wanted to find a book to help me write the play part of my new musical theater work. I was delighted when my search led me to this book. I found Mr. Canton's book to be clear, concise, and inspiring. I now have what I need to turn my music into a musical play.
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